![]() ![]() To begin, just choose one of the excellent factory presets as a starting point. From the plug-ins list, double-click\FabFilter/FabFilter Pro-R, or drag it onto the track.Ĭhoose an empty insert slot on one of your audio tracks, instrument tracks or buses and select\FabFilter Pro-R from the pop-up menu in the Reverb section. ![]() At the left top of Ableton Live's interface, click on the Plug-in\Device Browser icon (third icon from the top). In Session view, select the track you would like to place FabFilter Pro-R on, for example by\clicking the track name. You will find FabFilter Pro-R in the Audio Units > FabFilter section (named FF Pro-R). (The VST 3 version of Pro-R can be found in the Reverb section.)Ĭhoose an empty insert slot on one of your audio tracks, instrument tracks or buses and select\FabFilter Pro-R from the pop-up menu. To use the MIDI features in Pro-R, create a new MIDI track and set its output to the Pro-R instance you have just created. However, if the\instructions below do not work, see Manual\installation instead.Ĭhoose an empty insert slot, for example in the Mixer, and select FabFilter Pro-R from the menu that appears. In most cases, your host will then recognize the plugin automatically. On macOS, the global plug-in folders in\/Library/Audio/Plug-Ins are used. The installer will copy the FabFilter Pro-R plug-in into the common VST, VST 3, AU (macOS only)\and Pro Tools plug-in folders on your computer. Supports common Pro Tools hardware control surfaces.įabFilter Pro-R is available in VST, VST3, AU (Audio Units), AAX Native and AudioSuite formats (all both 64-bit and 32-bit), as well as RTAS (32-bit only), for Mac OS X and Windows. Multiple interface sizes: Medium,\Large and Extra Large. Real-time spectrum analyzer that also visualizes the decay time at different frequencies.įull Screen mode, offering a\large analyzer display and reverb Decay Rate EQ and Post EQ controller. Together with the Decay Rate EQ, this lets you design reverbs of any style and character. Compared to the commonly used lowand high crossover system, the Decay Rate EQ opens a world of possibilities by giving you full control over the decay rate at different frequencies.Ħ-band Post EQ to equalize the final reverb sound, with Low/High Cut up to 96 dB/oct, Low/High Shelf and Bell filters. Innovative 6-band Decay Rate EQ, with Low/High Shelf, Bell and Notch filters. Predelay control via the bottom bar, ranging from 0 to 500 ms, with optional host tempo sync. Mix knob with a Lock Mix option, which prevents preset loading from overriding the current mix setting. Perfectly tuned Brightness knob, affecting not only overall brightness, but also the decay of high frequencies. The Character control changes the sound from a clean, transparent decay, to a lively reverb with pronounced reflections and echoes, all the way to an over-modulated chorus-like effect. Distance control to adjust the proximity to the sound source in the selected space. ![]() Intelligent Stereo Width control, ranging from pure mono to true stereo and beyond. ![]() You can choose from over a dozen carefully designed room models and seamlessly vary between them, without hearing clicks or unwanted artifacts.ĭecay Rate control, changing the overall decay time from 50% to 200% of the current Space setting. Stepless Space control, which smartly and smoothly combines the room model and decay time of the reverb. Very easy to set up, with comprehensible, non-technical controls: Gorgeous Retina interface with large interactive reverb display featuring Decay Rate EQ and Post EQ curves. With FabFilter Pro-R, we have aimed to create just that.īeautifully designed room models, ranging from small ambiences and rooms to large concert halls and huge cathedrals.Ĭarefully developed to easily fit in the mix, without causing undesirable coloration, density or phase problems. At the\same time, it should not confuse you with over-technical controls and too many options, but must be easy to set up and a joy to work with. On the other hand, many algorithmic reverbs are not dense enough, sound artificial or offer so many technical options that they are simply too difficult to set up.įor us, a high-quality algorithmic reverb should sound natural and 'real', has enough density and still sits in the mix perfectly without causing undesirable coloration or phase problems. While IR reverbs may sound convincing, they are not very flexible and often so dense that it's difficult to make them fit in a mix. From\IR (impulse response) processors, to algorithmic models or emulations of vintage classics, you've probably tried them all. FabFilter.32.Īs one of the most used effects in the audio world, reverbs come in all forms and flavors. ![]()
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